All the oil paintings of Giovanni Battista Tiepolo

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ID	Image	Painting(From A to Z)	Details
21924		Sarah and the Archangel (mk08)	1726-1728 Fresco,height c.400cm,width c.200cm Udine, Palazzo Arcivescovile
40542		Sarch and the Archangel	mk156 1726-28 Fresco Height
69126		scipios adelmod	1743 olja på duk 60x44 se
62189		Sense of the story of the Holy Spirit and progesterone	mk280 Oil on canvas 58.7 x 45cm
33745		St Charles Borromeo	mk86 c.1767-1769 Oil on canvas 122.6x111.5cm Cincinnati,Cincinnati Museum of Art
21837		St Charles Borromeo (mk08)	c.1767-1769 Oil on canvas, 122.6x111.5cm Cincinnati,Cincinnati Museum of Art
79145		St Jacobus defeats the Moors	Oil on canvas 317 x 163 cm cjr
66450		St Jacobus defeats the Moors.	St Jacobus defeats the Moors. Budapest, Museum of Fine Arts. Olio su tela, 317 ?? 163 cm Inv. 649.
62188		St James the great	mk280 Oil on canvas 317 x 163cm
1614		St.Thecla Liberating the City of Este from the Plague	1759 Duome, Este
97358		Susanna und die beiden Alten	1722-1723 Medium oil on canvas Dimensions 56 X 43 cm cyf
61038		The Allegory of the Planets and Continents at New Residenz.	The Allegory of the Planets and Continents at New Residenz.
84145		The Annunciation	Date ca. 1725(1725) Medium Oil on canvas cjr
87968		The Annunciation	1725(1725) Medium Oil on canvas cyf
86325		The Apotheosis of Admiral Vittor Pisani	1743(1743) Medium Oil on canvas Dimensions 41 x 72 cm (16.1 x 28.3 in) cyf
72962		The Apotheosis of Saint Roch	"The Apotheosis of Saint Roch," oil on canvas, by the Italian artist Giovanni Battista Tiepolo. 16 1/8 in. x 13 3/8 in. Yale University Art Gallery, gift of the associates of fine arts. Courtesy of Yale University, New Haven, Conn. cjr
51315		The Apotheosis of the Pisani Family	1761-62 Fresco, 2350 x 1350 cm
1618		The Banquet of Cleopatra	1743-44 National Gallery of Victoria, Melbourne
40560		The Banquet of Cleopatra	mk156 1746 Fresco 650x300cm
43271		THe Banquet of Cleopatra	mk170 1740-1750 Oil on canvas 46.3x66.7cm
63770		The Banquet of Cleopatra	1746-47 Fresco Palazzo Labia, Venice For the face of Anthony Tiepolo fell back on a type of portrait which he often used in other contexts, e. g. for the god of war, Mars. This section lets us see the detailed rendering of the ornamental decoration on the armor and helmet, thus demonstrating the importance Tiepolo assigned to such apparently insignificant details.Artist:TIEPOLO, Giovanni Battista Title: The Banquet of Cleopatra (detail) Painted in 1701-1750 , Italian - - painting : historical
41283		The Capture of Carchage	mk161 Oil on canvas
51318		The Death of Hyacinth	1752-53 Oil on canvas, 287 x 235 cm
82576		The Death of Hyacinthus	Date ca. 1752-1753 Medium Oil on canvas Dimensions 287 x 232 cm (113 x 91.3 in) cjr
39632		The death of t he consul Brutus in single combat with aruns	mk150 c.1728/3 Canvas 383x182cm
1613		The Finding of Moses	c1730 National Gallery of Scotland, Edinburgh
40544		The Finding of Moses	mk156 1730 Oil on canvas 202x342cm
23507		The Finding of Moses (nn03)	c 1730 Oil on canvas 202 x 342 cm 79 x 134 in National Gallery of Scotland Edinburgh
1612		The Immaculate Conception	1767-69 Museo Nacional del Prado, Madrid
28139		The Immaculate Conception	mk61 1767-1769 Oil on canvas 279x152cm
1616		The Last Communion of St.Lucy	1747-48 Santi Apostoli, Venice
20703		The Last Supper (mk05)	ca 1745-50 Canvas 32 x 35 1/2 (81 x 90 cm)Acquired in 1877
40569		The Marriage of the emperor Frederick Barbarosa and Beatrice of Burgundy	mk156 1750-53 Fresco 400x500cm
52047		The Martyrdom of St Agatha	c. 1756 Oil on canvas, 184 x 131 cm
51317		The Martyrdom of St. Bartholomew	1722 Oil on canvas, 167 x 139 cm
1617		The Meeting of Anthony and Cleopatra	1746-47 Fresco Palazzo Labia, Venice
51316		The Rage of Achilles	1757 Fresco, 300 x 300 cm
51299		The Sacrifice of Iphigenia	350 x 700 cm
97064		The Sacrifice of Iphigenia	? X ? cm Date ? Medium oil on canvas cyf
51320		The Sacrifice of Melchizedek	1740-42 Oil on canvas, 1000 x 525 cm
63766		The Scourge of the Serpents	The Scourge of the Serpents (detail) 1732-35 Oil on canvas, 164 x 1356 cm (complete frieze) Gallerie dell'Accademia, Venice During the 1720s Giambattista Tiepolo developed a new colouristic style of painting derived in principle from the dazzling palette of Veronese and the no less brilliant one of Sebastiano Ricci. Rejecting the tenebrous colour of Piazzetta, we witness in Tiepolo the triumph of colour with a richness of resonance and counterpoint elaborated within the ordered and monumental composition. The great frieze, originally below the choir of the Venetian church of SS. Cosma and Damiani on the Giudecca (Zanetti 1771), is a fine example of Tiepolo's work of the 1730s. The painting in its ornate stucco frame decorated with fruit, flowers and leaves is over 13 metres long. Three episodes are depicted with a decorative illusionism contrasting with the declared realist-narrative intent, rendering the painting somewhat melodramatic effect.Artist:TIEPOLO, Giovanni Battista Title: The Scourge of the Serpents (detail) Painted in 1701-1750 , Italian - - painting : religious
64329		the sicisbeo, c.	1785 venice,carezzonico
51262		The Theological Virtues	c. 1755 Oil on canvas, octogonal, 38,8 x 38,1 cm
63769		The Three Angels Appearing to Abraham	1726-1729 Fresco, 4000 x 2000 cm Palazzo Patriarcale, Udine Abraham kneels in prayer, awed by the appearance of the three angels, who float on a very solid-looking white cloud. The scene illustrates both the promise to make Abraham "a father of many nations" and the favour shown by God towards him, as described in the book of Genesis. Although the divine origin of the angels is made clear by their being placed in the upper portion of the picture, Tiepolo has portrayed them with very human features.Artist:TIEPOLO, Giovanni Battista Title: The Three Angels Appearing to Abraham Painted in 1701-1750 , Italian - - painting : religious
20711		The Tooth Puller (mk05)	1754 Canvas 32 x 43 1/4''(81 x 110 cm)Pendant to Carnival Scene or the Minuet Collection of Count Algarotti in Venice 1779;bequeathed in 1938 R.F
42070		The traslacion of the holy house to Loreto	mk166 Toward 1743 I Wave on cloth
28476		The Triumph of Aurelian	mk60 Oil on canvas 215x127"
1620		The Triumph of Zephyr and Flora	1734-35 Museo del Settecento Veneziano di Ca'Rezzonico, Venice
51265		The Virgin Appearing to Dominican Saints	1747-48 Oil on canvas, 340 x 168 cm
51319		The Virgin Appearing to St Philip Neri	1740 Oil on canvas, 360 x 182 cm
52225		The Virgin with Six Saints	1737-40 Oil on canvas, 72,8 x 56 cm
62180		There are parrot portrait of young woman	mk280 Oil on canvas 70 x 52cm
87550		Treffen von Marc Antonius und Kleopatra	Date 1747-1749 Medium Oil on canvas cjr
92291		Treffen von Marc Antonius und Kleopatra	1747-1749 Medium oil on canvas cyf
41148		Triumph of ephy and Flora	mk157 1731-32 Oil on canvas 395x225cm
89420		Triumphzug der Fortitudo und der Sapienzia	c. 1745-1750 Medium oil on canvas Dimensions Deutsch: 299 x 379 cm cjr
96637		Triunfo das Artes	from 1729(1729) until 1730(1730) Medium oil on panel Dimensions 55.5 X 72 cm cyf
90259		Venus und Vulcanus	1758-1760 Medium oil on canvas Dimensions Deutsch: 69 x 87 cm cjr
51266		Woman with a Parrot	1760-61 Oil on canvas
51261		Worshippers	1743-45 Fresco transferred to canvas, 410 x 198 cm
56127		young woman with macaw	mk247 c.1760,oil on canvas,ashomlean museum,oxford,uk

Giovanni Battista Tiepolo
Italian Rococo Era Painter, 1696-1770 Giovanni Battista Tiepolo was born in Venice on March 5, 1696. His father, who was part owner of a ship, died when Tiepolo was scarcely a year old, but the family was left in comfortable circumstances. As a youth, he was apprenticed to Gregorio Lazzarini, a mediocre but fashionable painter known for his elaborately theatrical, rather grandiose compositions. Tiepolo soon evolved a more spirited style of his own. By the time he was 20, he had exhibited his work independently, and won plaudits, at an exhibition held at the church of S. Rocco. The next year he became a member of the Fraglia, or painters guild. In 1719 he married Cecilia Guardi, whose brother Francesco was to become famous as a painter of the Venetian scene. They had nine children, among them Giovanni Domenico and Lorenzo Baldassare, who were also painters. In the 1720s Tiepolo carried out many large-scale commissions on the northern Italian mainland. Of these the most important is the cycle of Old Testament scenes done for the patriarch of Aquileia, Daniele Dolfin, in the new Archbishop Palace at Udine. Here Tiepolo abandoned the dark hues that had characterized his early style and turned instead to the bright, sparkling colors that were to make him famous.